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・ Maria Tauberová
・ Maria Taylor
・ Maria Taylor (analyst)
・ Maria Taylor Beale
・ Maria Tchernycheva
・ Maria Te Huia
・ Maria Tebús
・ Maria Temryukovna
・ Maria ter Meetelen
・ Maria Teresa Agnesi Pinottini
・ Maria Teresa Carlson
・ Maria Teresa Casini
・ Maria Teresa Cruz San Diego
・ Maria Teresa Cybo-Malaspina, Duchess of Massa
・ Maria Teresa de Filippis
Maria Teresa de Noronha
・ Maria Teresa del Real
・ Maria Teresa Felicitas d'Este
・ Maria Teresa Fontela Goulart
・ Maria Teresa Horta
・ Maria Teresa Luengo
・ Maria Teresa Maia Gonzalez
・ Maria Teresa of St. Joseph
・ Maria Teresa Pelegrí i Marimón
・ Maria Teresa Ramírez
・ Maria Teresa Riedl
・ Maria Teresa Santillan
・ Maria Teresa Scandola
・ Maria Teresa, Grand Duchess of Luxembourg
・ Maria Teresa, Princess of Beira


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Maria Teresa de Noronha : ウィキペディア英語版
Maria Teresa de Noronha

D. Maria Teresa do Carmo de Noronha, (November 7, 1918, Lisbon – July 4, 1993) was a Portuguese aristocrat and a fado singer. As a granddaughter of the Counts of Paraty and Belmonte, she belonged to a family of the most ancient Nobility in the Iberian Peninsula, tracing her roots to the Royal Houses of both Portugal and Castile from the mid-14th century. Her artistic career spanned over 30 years and hers is considered one of the most unusual and beautiful fado voices. Her status as a ''fidalga'' meant, in the context of a conservative early 20th century Portugal, that she faced severe restrictions in having a professional artistic career As such, she did not enjoy the projection of other great ''fadistas'' of her time.
==Childhood and youth==
According to her surviving relatives, Maria Teresa de Noronha showed from her childhood a very beautiful voice, often singing in church choirs, though she did not take any voice lessons. According to Raul Nery, her voice is one of those rare examples of natural vocal placement based on the diaphragm and taking advantage of the resonance provided by the skull – which may have arisen from her early contact with liturgical musical repertoire, then still very operatic in nature.
At the time of her youth, Fado had already entered the aristocratic environment, and was no longer confined to the marginal way of life of Lisbon’s taverns, dockyards and brothels. Her great-granduncle D. João do Carmo de Noronha and her brother D. Vasco de Noronha, as well as her acquaintances D. Pedro and D. António de Bragança (House of Lafões), were all renowned amateur fadistas. She began singing the Fado in the intimate circle of her family and friends but soon the fame of her proven talent spread out.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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